In this oil painting, a bald man in a pink shirt stands facing a blue, watery background. His back is turned towards the viewer. Three almost identical bald men in green shirts with hunched shoulders stand between the background and the man, as if emerging from the waters. The bold, bright colours give a vivid sense of space, and the subjects are rendered with technical precision, but the enigmatic subject creates a surreal atmosphere. Bald men and natural elements such as water and the sky recur in Fang Lijun’s paintings. In this work, the position of the man in pink in relation to the other men suggests an encounter between the past and the present. The relationship between an individual and society is a key concern in Fang’s work, and the figures in his paintings from the 1990s are sometimes portrayed as appearing lost and out of place, speaking to the sense of disenchantment amidst massive social and economic changes in China.
Fang Lijun (born 1963, Handan) graduated from the Print Department of the Central Academy of Fine Arts, Beijing, in 1989. He is a representative artist of Cynical Realism, a major art movement in China post-1989. His works capture the disillusionment of a generation after the Tiananmen Square incident and reflect the helpless mentality of Chinese society in the early 1990s. Fang lives and works in Beijing.