This work addresses the production of an image and the social implications of this process. Harun Farocki spent four days in a Playboy studio in Munich to document the making of a photograph for the magazine. The film portrays the exhausted model; a photographer who gives seemingly endless instructions; and a team of assistants, technicians, and stylists. The work uncovers the painstaking labour behind the glossy photograph as well as Playboy’s economy of heterosexual male desire and consumption. According to Farocki, 'the naked woman in the middle is a sun around which a system revolves: of culture, of business, of living!' Ein Bild (An Image) raises questions related to the use of images to shape desires and lifestyles in contemporary society.
Harun Farocki (1944–2014, Germany) is celebrated for his early essay films, observational documentaries, and late-career multichannel video installations examining technologies of simulation and surveillance. His simultaneously analytical and poetic approach to his main subjects—labour, industry, and production, and the power of image-making in contemporary media and society—has been widely discussed and cited. With regards to the overwhelming surplus of images in our times, the artist, writer, and teacher stated: ‘[The world] does not need images, but images which are used differently’.