The repetition of the miniature plus signs and crosses is one of Ding Yi’s most recognisable motifs. He began using the crosses in the late 1980s and continues to employ them consistently. Evenly placed across his canvases regardless of size and colour, the crosses can be seen as the fundamental building block of the grid, an embodiment of standardisation, repetition, and rationality in a twentieth-century modernist context.
Mapping Chinese Art, 1972–2012: Selections for the M+ Sigg Collection. M+, Hong Kong, 2019. sigg.mplus.org.hk
Ding Yi (born 1962, Shanghai) graduated from Shanghai University in 1990 with an MFA. He is known for process-based abstract paintings composed of plus signs and crosses. This pattern allows him to move away from the social and political context popular in Chinese contemporary art. Ding lives and works in Shanghai.