Nam June Paik was a pioneer of unconventional modes of expression who made innovative use of television as an artistic medium. Double Magnet, a small industrial magnet placed atop a large one, is a little-known work that nevertheless speaks to a key component in Paik’s career-long experimentation with electronics and interactivity. In Magnet TV (1965), for example, he invited viewers to transform televised images into abstract forms by moving a magnet on top of a television set. Double Magnet is a rare example in Paik’s oeuvre of a sculptural work that consists entirely of found materials. It eliminates the essential function of the magnets, suggesting a new way to think about them in terms of materiality and form.
Nam June Paik (1932–2006, South Korea) was one of the most influential artists of the twentieth century. As a pioneer of technology-based art, Paik has created a large body of work comprising performances, single-channel moving image works, video sculptures, and installations. Known for his experimental, collaborative, and interdisciplinary practice, he was a key member of the Fluxus movement and a visionary thinker who predicted the future of art making and communication in the internet age.