This sculptural work is a reproduction of a classical dragon robe. Installed on a stand, its sleeves are stretched out as if supported by arms, revealing the stripes and detailed cuff embroidery. The body of the garment features Chinese dragons and elaborate patterns. Woven with plastic threads, the robe is translucent and appears ethereal. Wang Jin began exploring the relationship between objects and cultural authenticity in the 1990s with his Dream of China series, a response to his experience of the clash between traditional and modern values in China. He employs rural seamstresses to faithfully replicate the form and design of traditional Beijing opera costumes. These robes are usually made from colourful silk, but Wang uses plastic, a consumer product he considers ubiquitous in developing countries and perfectly suited to a comment on contemporary Chinese society. His production transforms a symbol of cultural heritage into an ambiguous image of sterility and weightlessness. Wang’s practice encompasses performance and photography works, in which he often wears his own robes.
Wang Jin (born 1962, Datong) graduated from the Zhejiang Academy of Fine Arts in 1987. He was a key artist of the East Village performance art movement, best known for his painting, performance, installation, and sculpture. His work addresses the consequences of rapid social change and the transitory nature of tradition. Wang lives and works in Beijing.