On 30 October 1983, Chen Chieh-Jen organized a guerilla-style performance on Wuchang Street in the Ximending district of Taipei. Footage from that day, shot with 8mm film, comprises Dysfunction No.3. As the opening credits roll, a beating drum echoes like a heartbeat. Among a growing crowd are five young men, wearing matching white T-shirts, khakis, and bandages around their feet. The five performers place bag-like masks over their heads and wrap a strand of black fabric around their eyes, to fasten the bags tight, and another around their wrists, like handcuffs. Walking single file along the dotted traffic lines at the centre of the street, they captivate the attention of the crowd, some of whom watch intently, while others take photos. The line of masked men suddenly stops, as does the soundtrack, as they leap from the queue, lunging, writhing, and screaming as if they are in torturous pain. Falling to the ground, some lay motionless as though they are dead. Police interrogate the men as the performance ends.
With Dysfunction No.3., Chen sought to comment on Taiwan under martial law, an authoritarian regime that tightly controlled public activities.
Chen Chieh-jen (born 1960, Taiwan) is a video artist, filmmaker, and a foremost figure in the development of conceptual art in Taiwan. A self-taught artist who has since been exhibited in museums such as the Taipei Fine Arts Museum and the Museo Nacional Centro De Arte Reina Sofía, Chen began his practice in underground exhibitions and guerrilla-style street performances. His later videos and film installations are characterised by slow images intertwined with complete silence or concise dialogue to articulate the notion of bodily experiences and memories.