Made in 2008–2009, Taiwanese artist Chen Chieh-Jen’s Empire’s Borders conveys the real-life experiences of women who have attempted to cross Taiwan’s borders: first, Taiwanese women denied tourist visas to visit the United States, and second, women from mainland China who have married Taiwanese men and have been denied permission to enter or remain in Taiwan. Shot on 35mm film in stark black and white, each woman relates her story in her own words. The bureaucratic settings for these short monologues recall the interview centre or airport immigration hall where the encounters originally took place.
Although the details of each story are particular, Chen’s deliberate sequencing and pacing allow the viewer to draw connections between the women’s experiences, whether their aim was to leave Taiwan or to stay, to visit one major power or to relocate from another. The video raises questions about the fair treatment of those seeking to cross borders. At the same time, it encourages empathetic viewing, casting new light on the human stories that underpin globalisation, and the universal desires and motivations that drive migration.
Chen Chieh-jen (born 1960, Taiwan) is a video artist, filmmaker, and a foremost figure in the development of conceptual art in Taiwan. A self-taught artist who has since been exhibited in museums such as the Taipei Fine Arts Museum and the Museo Nacional Centro De Arte Reina Sofía, Chen began his practice in underground exhibitions and guerrilla-style street performances. His later videos and film installations are characterised by slow images intertwined with complete silence or concise dialogue to articulate the notion of bodily experiences and memories.