HAPPIMESS: THE TALK TALK is framed as a dialogue between two digital avatars, a Scandinavian woman and an Afro-British man, who ostensibly represent the artist duo making up YOUNG-HAE CHANG HEAVY INDUSTRIES. The work contemplates the very existence of art: what art is, its history, and the notion of being an artist, from individuals who make bad art to those who have quit their practices entirely. Through avatars that do not physically resemble the duo (Young-Hae Chang is Korean and Marc Voge is American), the work considers our preconceptions surrounding culture and race as well as the idea of anonymity, a subject of longstanding interest for both artists.
YOUNG-HAE CHANG HEAVY INDUSTRIES (established South Korea, 1999) combines their own texts with mostly self-composed jazz music into rather simple Flash animations. Avoiding the complications of interactivity, graphics, illustrations, banners, or even colours, these pieces tell stories about everyday life, personal relationships, politics, and the art world. Their funny, witty, sometimes provocative texts formulate a new kind of poetry for the twenty-first century.