On the Way Home juxtaposes live-action film footage and computer-generated images. The images follow a man’s night-time journey home and then show him in his apartment reading, washing clothes, drinking tea, and incessantly locking and unlocking the door. Through jarring editing, superimposed images, disorienting camera angles, and repetitive actions, Yuan Goang-Ming creates an atmosphere of disorder and anxiety. The work can be seen as a statement on the relationship between technology, surveillance, and twentieth-century life, and the sense of foreboding and paranoia that infuses this relationship.