In this installation, two television screens are fitted with a black accordion-like viewing device that tapers and ends at the eye level of a seated viewer. By looking into the stereoscope, one can see two separate scenes depicting simple actions on the television screens. The scenes seem visually related, with almost identical backgrounds and characteristics, but they are often perplexing or incoherent. Examples include a hand reaching out to take a green apple on the left screen, with an arm on the right screen later showing a hand holding a banana; and scenes rotating in different directions on both screens, featuring a person walking across a space with two windows. When seeing each set of images together, one feels compelled to draw connections between them. This installation is part of Chen Shaoxiong’s Sight Adjuster series (1996–1999), which examines the relationship between images and visual perception to reflect on how images can be manipulated to construct and convey ideas. Chen pioneered video art in China, using the medium to explore the limits and implications of electronic images in shaping one’s view of the world.
Chen Shaoxiong (born 1962, Shantou) graduated from the Print Department of Guangzhou Academy of Fine Arts in 1984. A founding member of the Big Tail Elephant Group in 1990, Chen also works collaboratively with artists from different backgrounds, forming the collective Xijing Men with Tsuyoshi Ozawa and Gim Hongsok in 2007. He works with a variety of media including photography, video, installation, and ink painting to investigate the dynamics of China’s rapidly changing cityscapes. Chen lives and works in Beijing.