In his unique painting process, Yan Lei scans photos and renders them in black and white, separating the various gradients of grey into different numbered areas. Then he airbrushes the areas onto canvas and adds pigment by hand. Here, Yan uses images of real animals to portray the Chinese zodiac and thus omits the dragon. As he removes the subject matter and practice of painting, these works become ordinary images that can be mass-produced, ‘anti-paintings’ that challenge how art is packaged in the market.
Yan Lei (born 1965, Lanfang) graduated from the China Academy of Art, Hangzhou, in 1991. He works in painting, video, photography, and installation, belonging to a generation of artists who use art to negotiate authority. He takes images from Chinese and Western popular culture and manipulates them, often digitally, to challenge the power structures of the art system. Yan lives and works in Beijing and Hong Kong.