Shen Xin’s Strongholds follows a pair of women as they visit Samye Ling Monastery in Scotland—the oldest Tibetan Buddhist monastery in Europe, founded in 1967 by Chögyam Trungpa. Opening with the two women staging a dance performance in the monastery’s courtyard, the film proceeds through flashbacks and voiceovers to chart their travels, rehearsals, spiritual questionings, and tentative romance. The work’s understated approach quietly observes moments of both affection and awkwardness as the women strive to understand the complexities of enlightenment and love.
A hybrid of fiction and documentary, the narrative self-consciously gestures to technology as a structuring device. A camera drone accompanying the women acts as a participant-observer in the story, seemingly autonomous as it watches their interactions. Scattered throughout the film are texts drawn from internet message boards and chat rooms where strangers seek company and guidance in their questions about spiritual life. These lend a dimension of universality to the women’s story, placing it within a broader human struggle for meaning and connection.
Shen Xin (born 1990, Sichuan) creates moving image installations and performances that deconstruct dominant power structures and empower alternative histories, relations, and potentials between individuals and nation states. Through a practice based on historical and critical research, the artist seeks to create affirmative spaces of belonging as well as polyphonic narratives and identities. Shen was a finalist of the 2019 Sigg Prize. Their recent work Brine Lake (A New Body) premiered at the 2021 Gwangju Biennale and the Walker Art Center.