The Arches is part of Tracey Moffatt’s Passage project, a series of twelve photographs inspired by film noir. In this work, Moffatt stages a mysterious scene with two figures: a man in a suit walks down the street alone and a woman seems to hide around the corner. The mist and artificial light underscore the drama of the scene and imply a sense of danger. With minimal information on the setting and characters, The Arches hints at a narrative but provides no definite meaning, seeking to prompt an emotional response in viewers. Moffatt has described Passage in terms of displacement and migration, and this contemporary resonance heightens the ambiguity of the scene.
Tracey Moffatt (b. 1960, Australia) draws inspiration from what she calls her ‘memory bank’–amélange of films watched, books read, and photographs viewed, as well as life experiences–and then filters them through her imagination, resulting in works that hover somewhere between reality, memory, and a dream. Imbued with heightened emotion and drama, Moffatt’s photographs and moving images often explore the themes of Australia’s colonial history, imbalances of power, sexuality, racial politics, and contemporary social issues.