These two works dissect the daily actions of dressing and undressing and laughing into sequential steps. They offer a rational, non-expressive approach to human behaviour at a time when the passions and idealism of the 85 New Wave were at their height. Rather than use oil paint, Geng Jianyi experimented with a conceptual method of cutting and pasting paper photocopies onto wooden boards.
M+ Sigg Collection: Four Decades of Chinese Contemporary Art. ArtisTree, Hong Kong, 23 February–5 April 2016
Geng Jianyi (born 1962, Zhengzhou) graduated from the Oil Painting Department of the Zhejiang Academy of Fine Arts, Hangzhou, in 1985. He was an early member of the pioneering avant-garde group the Pond Society and works with diverse media including oil painting, installation, and ink drawing. Geng is best known for works that represent ambivalent notions of identity and its relation to the larger world. He lives and works in Hangzhou.