The photograph documents thousands of peasants working on an irrigation project. This collective activity calls to mind the folklore of the old man who moved the mountain, which Mao referenced in 1945 in a mantra to encourage Chinese citizens to overthrow imperialism and feudalism. The black-and-white image enhances the expressionist and theatrical quality of the work. It also depicts the spiritual power and unity of grandiose state activities.
Mapping Chinese Art, 1972–2012: Selections for the M+ Sigg Collection. M+, Hong Kong, 2019. sigg.mplus.org.hk