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Park Chan-kyong:
Belated Bosal

Details
Year: 2019
Director: Park Chan-kyong
Format: 80 min.
Language: Multiple
Audience: Everyone
Location: House 1
Accessibility: Wheelchair
More Info:

Ticket Information

Standard: HKD 85

Concessions: HKD 68


Priority booking for M+ Members and Patrons from 5 to 7 Dec 2025. Tickets open to public starting 8 Dec, 10:00.

Park Chan-kyong:
Belated Bosal

This programme features two moving image works by Korean artist Park Chan-kyong. They reflect upon the 2011 nuclear incident in Fukushima, Japan and question how radioactive contamination can be faced from a material and spiritual perspective.

‘Park Chan-kyong: Belated Bosal’ Trailer
‘Park Chan-kyong: Belated Bosal’ Trailer
1:00

Park Chan-kyong. Fukushima, Autoradiography, 2019. Photo: Courtesy of the artist

Park Chan-kyong. Fukushima, Autoradiography, 2019. Photo: Courtesy of the artist

Park Chan-kyong. Belated Bosal, 2019. Photo: Courtesy of the artist

Park Chan-kyong. Belated Bosal, 2019. Photo: Courtesy of the artist

Park Chan-kyong. Belated Bosal, 2019. Photo: Courtesy of the artist

Park Chan-kyong. Fukushima, Autoradiography, 2019. Photo: Courtesy of the artist

Park Chan-kyong. Fukushima, Autoradiography, 2019. Photo: Courtesy of the artist

Park Chan-kyong. Belated Bosal, 2019. Photo: Courtesy of the artist

Park Chan-kyong. Belated Bosal, 2019. Photo: Courtesy of the artist

Park Chan-kyong. Belated Bosal, 2019. Photo: Courtesy of the artist

About the Director

Park Chan-kyong (b. 1965, South Korea) is an artist, film director, and art critic whose work explores Korea’s rapid modernisation and its cultural complexities. A protagonist reviving ‘minjung art’, Park’s work addresses the effects of Cold War politics and employs spirituality to interrogate the impact of Westernisation on Korean society. He blends ancient shanshui landscape painting techniques with contemporary film as a panoramic structure to bridge past and present. Several of his moving image installations are part of the M+ Collections.

Image at top: Park Chan-kyong. Fukushima, Autoradiography, 2019. Photo: Courtesy of the artist

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