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Today

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M+ Cinema is open Fridays through Sundays

Exhibitions

Online Exhibitions

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Guo Cheng: Digital Terraforming

Guo Cheng: Digital Terraforming

Three dimensional rendition of Marcel Duchamp's Box in a Valise. In red, the cuboid opens up in a manner akin to that of a paper box, revealing a wide array of Duchamp's body of works from sculptures like Fountain and The Bride Stripped Bare by her Bachelors, Even, to paintings such as Nude Descending a Staircase, No.2 and Tu m'that hang on the box's vertical flaps.

Lessons for a Creative Life from Box in a Valise

On a black background are a few gradient colour patches that are soft-edged and irregularly shaped. The colour changes, for example, from white to blue and then purplish-red, or from black to brown and then yellow. The sizes and shapes of the black spaces between the patches vary.

Zachary Lieberman: Atlas of Blobs

Screen grab of a digital work showing a collage of overlapping fragments of graphical tiles, which portray an abstract bird view of roads, gates, bricks and pixelated autumn trees. At the bottom are two dialogue boxes between '???' and Ryan that write 「那是你自己選的。」(from ???, which translates to 'That is your own choice') and 「這是我自己的選擇。」(from Ryan, which translates to 'This is my own choice'). Between the dialogue boxes is a button that enables the viewer to choose between Chinese and English—at the moment it is adjusted to the Chinese setting.

Ryan Kuo: Puzzle

Screen grab of a dark universe where a halo of white light resembling a planet floats at its centre and strokes of luminescence orbit around it. Information about ‘latitude’, ‘speed’, ‘elevation’, ‘GMST’ and ‘speed’ are attached to these orbital light signals. Faint glimmers of light glow like stars in the dark. A rectangular grid is superimposed on the image. Bilingual texts scatter across the universe, which read ‘THE EARTH IS AN IMAGE 地表之下 別無他物’, ‘Xin Liu 劉昕’, ‘COMMISSION BY M+, 2021 M+委約創作，2021年’, ‘The satellite will pass at 下次衛星經過時間’ and ‘2021-09-14 06:53PM-07:02PM HKT’.

Xin Liu: The Earth Is an Image

Collage of some 150 thumbnails of Chinese art dotted against a black background, with white plus signs peppered around them.

Mapping Chinese Art, 1972–2012: Selections from the M+ Sigg Collection

M+ Facade

In addition to commissioned pieces, the M+ Facade programme showcases moving image works and thematic videos featuring objects selected from the M+ Collections.

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M+ Magazine

Night-time street scene in an East Asian city with bright neon signs in Chinese characters. Three people in identical futuristic white outfits stand in the foreground, with a yellow vehicle behind them. Buildings are densely packed and lit by colourful neon lights.
Night-time street scene in an East Asian city with bright neon signs in Chinese characters. Three people in identical futuristic white outfits stand in the foreground, with a yellow vehicle behind them. Buildings are densely packed and lit by colourful neon lights.

Kinetics of the Posthuman Body: An Interview with Ayoung Kim and Kim Cha-I

12 Dec 2025 / Benoit Palop

Operating between moving image, performance, and computational aesthetics, Ayoung Kim’s Dancer in the Mirror Field (2025) examines how acceleration and optimisation redefine human motion in the age of algorithmic labour.
11 mins: 
Moving Image  /  Article
Artist Heidi Lau, with short black hair, sits at a table in an art studio, focused on crafting an intricate ceramic sculpture. In the foreground, a brick-red clay piece is visible, while large windows in the background reveal a blurry city skyline.
Artist Heidi Lau, with short black hair, sits at a table in an art studio, focused on crafting an intricate ceramic sculpture. In the foreground, a brick-red clay piece is visible, while large windows in the background reveal a blurry city skyline.

Heidi Lau: Touch, Memory, and Clay

3 Dec 2025 / M+ Team

Artist Heidi Lau treats clay as a collaborator. Her Sigg Prize 2025 presentation blends handbuilt forms, world-building, and robotics.
8 mins: 
Visual Art  /  Video
Above the entrance of an underground escalator in an urban setting, signs with bold signage with bilingual text in English and Korean read "fascism".
Above the entrance of an underground escalator in an urban setting, signs with bold signage with bilingual text in English and Korean read "fascism".

Manifesting Spring: Art in the Capitalocene

1 Dec 2025 / Kelly Li

Kelly Li, Assistant Curator of Moving Image at M+, reflects on the making of the exhibition ‘Manifesto of Spring’, co-curated by M+, National Asian Culture Center (ACC) and ZKM
8 mins: 
Visual Art  / Moving Image  / Digital  / Behind the Scenes  / M+ Exhibitions  /  Article
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