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建築導賞
口述影像
草間彌生：一九四五年至今
8022 (英語)
8022 (英文)
2:42
T形組件（分叉），D系列方管
1967/2014
PRESENTER:
A few years ago, M+ invited landscape architect Sara Wong to plan and execute a special configuration of Charlotte Posenenske’s modular sculptures. Posenenske always envisioned that her work would be repeatedly assembled in various shapes and configurations, according to the display space or architectural context. We asked Sara to reflect on her experience of working with Posensenke’s components at the M+ Pavilion in 2019.
SARA WONG:
I think to me, the core thing about her work, which I found fascinating, or attracts me, is the design of modules. But at the same time, she opened up the interpretation of these modules to other artists, other people, or the audience, which means that it liberates the interpretation of the work. Imagine that the same element, the same piece, the same material has been touched by the artist before, and then I touch it and then I change it, and then I transform it. That is a very special connection between me and the artist.
PRESENTER:
Faced with so many modules and possibilities, Sara began by thinking about the piece not as a cohesive entity, but rather as its individual components.
SARA WONG:
When we understand module design, we always see modules as part of the whole. So, we put modules together to form one entity or one piece. But, I started to think that, can we see module as its own self, with its own identity? And I started to think more and more now that when we are always seeing modules as only part of a whole thing, but indeed, each of the modules, if you put it in a different situation, if you're connecting it in different way, indeed, they can be read differently.
PRESENTER:
Once all of these individual modules were installed in the space, back in 2019, as Sara looked round them, they took on even more characteristics.
SARA WONG:
One memory is there is a piece which is lay on the ground on the floor. The first time I can look through it and can see the light being transferred through the material, and then I can see the light from the window, but from the inside of the sculpture, I can see a little bit glowing of the light, I can hear the ambient sound which was something that I cannot experience when I was working in the model, you have to see it from the real sight.
PRESENTER:
The way the modules are displayed at M+ today is very different from Sara’s arrangement, but you can still explore them in the same way: take some time to move around the space and see how the individual sculptures interact with it to form this new iteration of Posenenske’s work.
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