Yun Qiu graduated from New York University’s Tisch School of the Arts with an MA in arts politics. She is an independent curator and researcher, who focuses on the situations of female artists and art workers. Qiu was the Deputy Director of Exhibitions and Curator at UCCA Center for Contemporary Art (2019–2022). Prior to this role, she was a curator at Long Museum in Shanghai (2015–2017) and TANK Shanghai (2017–2018). Qiu has curated and organised over 15 exhibitions, including Thomas Demand: The Stutter of History; Immaterial / Re-material: A Brief History of Computing Art; and Li Shuang: If Only the Cloud Knows, among others. She is also a recipient of the 2023–2024 German Chancellor Fellowship.

Xiaofan Wu is a researcher and a PhD student in cultural dediations at Carleton University in Ottawa, Canada. Her research focuses on contemporary Chinese art, with a special interest in video, performance, new media, and exhibition history. She graduated in 2018 with a B.A. with distinction in the history of art from the University of Illinois at Urbana-Champaign, where she completed her thesis, After Shock: Performance Art in China after 1989. In 2020, she received her MA in art history at the Institute of Fine Arts, New York University, where she finished her thesis, At the Crossroads: Video Art in ‘Post-Sense Sensibility: Alien Bodies and Delusion.

Luqi Lin is a curator, designer, and a member of AXIS Art Project. A graduate of Xiamen University with a BA in arts management, Lin has long been interested in the transformation of local culture and artificial landscapes during the process of urbanisation in contemporary China. He worked in the exhibition department at UCCA Center for Contemporary Art (2018–2022) and now works at Xiamen Powerlong Art Center. He has taken part in organising and curating exhibitions such as The Amoy Meat Factory; Meditations in an Emergency; and The City Tells It All: The Construction and Dispersal of Urban Imageries, among others.