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The modern building rises above a dense forest, with its exterior covered in lush vegetation. Large glass windows reflect the surrounding scenery, while mountain silhouettes can be seen in the distance, creating a landscape that blends architecture with nature.

Geoffrey Bawa:
Architecture for the Senses

Geoffrey Bawa:
Architecture for the Senses

With a career spanning five decades and more than two hundred projects, Geoffrey Bawa (Sri Lankan, 1919–2003) was the most influential architect in post-independence Sri Lanka and one of the leading figures in South Asian architecture. His remarkable oeuvre includes hotels, private residences, schools, universities, factories, office buildings, and the Sri Lankan Parliament building. Motivated by a keen sensitivity to context and a direct response to the terrain, his work blends the principles of modernism with the island’s architectural history and challenges the boundaries between inside and outside. Bawa took pleasure in making buildings with a hands-on approach, working closely with craftspeople and local industries while harnessing knowledge from different eras, geographies, and cultures. Taking an expansive worldview, Bawa asserted that good architecture had to make sense—both emotionally and practically. Today, his architectural strategies are being rediscovered, inspiring socially and ecologically sustainable building practices across the world.


The exhibition is divided into four sections: architecture’s relationship to identity and political discourses, creative collaborations, social practices, and ecological elements. With a dynamic exhibition design by Lina Ghotmeh — Architecture, the exhibition includes drawings, models, furniture, historic footage, artworks, and photographs by Bawa. Newly commissioned photographs by Iwan Baan and video installations by Kavindu Sivaraj and Ruvin de Silva offer spatial experiences of Bawa’s buildings. Other highlights include a never-before-shown documentary featuring artworks by his collaborators and Bawa talking about his architectural practice.


The exhibition is organised by the Vitra Design Museum and M+ in collaboration with the Geoffrey Bawa Trust and the Wüstenrot Foundation.

A long, narrow living room featuring white walls, exposed wooden ceiling beams, and terracotta floor tiles is shown. Furnished with wooden furniture, artworks, and eclectic sculptures, the space is filled with natural light and exudes a simple yet refined domestic atmosphere.

View of the living room, Number 11 (House of Geoffrey Bawa), Colombo, Sri Lanka, 2026. © Iwan Baan. Photo: Iwan Baan

A minimalist modern interior featuring a pure white staircase with flowing curved walls, complemented by a thin, black handrail and a gold-embellished door panel, creating a clean and sculptural architectural space.

Hammered metal and gilded door by Ismeth Raheem on the staircase, Number 11 (House of Geoffrey Bawa), Colombo, Sri Lanka, 2026. © Iwan Baan. Photo: Iwan Baan

A large debating chamber clad in dark wood and geometric decorative elements, featuring a suspended metal palm-shaped sculpture at its centre. The space conveys a sense of formality and highlights key characteristics of modernist architecture.

View of the chamber, New Sri Lankan Parliament building, Kotte, Sri Lanka, 2026. © Iwan Baan. Photo: Iwan Baan

A detailed architectural and landscape site plan is drawn on aged paper, showing roads, trees, and spatial arrangements.

Early master plan, Batujimbar Estate (1972–1975), Bali, Indonesia. M+ Hong Kong. Gift of the Geoffrey Bawa Trust, 2022. © Geoffrey Bawa and Lunuganga Trusts. Photo: M+, Hong Kong

A white-walled courtyard filled with lush greenery on one end features a shaded area. Large stone beams support the wooden roof, and the ground is paved with rounded cobblestones.

Entry portal with inverted grinding stones, House for Osmund and Ena de Silva, Colombo, Sri Lanka. Photo: Iwan Baan, 2026 © Iwan Baan. Photo: Iwan Baan

A lakeside building featuring a sloping, red-tiled roof and a lattice-patterned façade. The white structure projects over the water’s edge and is surrounded by dense tropical plantation.

Exterior view of the administration building, Ceylon Steel Corporation, Oruwala, Sri Lanka, 2015. © Sebastian Posingis. Photo: Sebastian Posingis

The interior features white columns, sofas, tables, and chairs, while the ceiling is decorated with yellow and orange geometric patterns. Large floor-to-ceiling windows overlook an outdoor water feature, creating a spacious and bright atmosphere.

Interior view of the lounge, Bentota Beach Hotel, Bentota, Sri Lanka, 2026. © Iwan Baan. Photo: Iwan Baan

A white open-plan interior defined by arched-doorways and columns, with the ceiling covered in brightly colored decorative murals. An ornate door panel stands at the lower right, while a staircase is visible on the lower left.

View of the lobby with an elevator door designed by Anura Ratnavibushana, Bentota Beach Hotel, Bentota, Sri Lanka, 2026. © Iwan Baan. Photo: Iwan Baan

A portrait of architect Geoffrey Bawa, shown writing in a notebook with a pen in his hand. A teacup is placed on the table in front of him.

Dominic Sansoni. Geoffrey Bawa at Lunuganga, Sri Lanka, ca.1996. © Dominic Sansoni

Image at top: Exterior view, Kandalama Hotel, Dambulla, Sri Lanka, 2026. © Iwan Baan. Photo: Iwan Baan, 2026

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